This could include new etudes or a new solo work. For the live audition, you may repeat the music you prepared for the pre-screening or add new music of your choice. Students who advance to this stage of the application process will be invited to meet with Bassoon faculty for an audition, a discussion of your training and future/career goals, and a review of your previously-submitted recordings. Live Online or In-Person Audition/Interview Requirements 168 (must include movement 2, and can add movements 1 or 3) Camille Saint-Saëns: Sonate pour basson, Op.Antonio Vivaldi: any of his concerti for bassoon (either movements 1 & 2 or 2 & 3, depending on the concerto). Carl Maria von Weber: Andante and Hungarian Rondo (you may play one or both of these movements).Carl Maria von Weber: Concerto in F, Op.Mozart: Concerto in B flat, KV 191 (first or second movement, or both) Lyman by email WORKS: You should submit both one fast and one slow movement (your choice of which) from the following pieces: If you are not currently working on these studies, you may submit a request for a substitution to Dr. 26 or the Scale and Arpeggio Studies, Op. Please upload video recordings of two contrasting etudes and two contrasting solo works to the SMTD Artistic Profile.ĮTUDES: The etudes should either come from the Concert Studies, Op. SMTD Backstage: Internal Resources for Students & Employees.Sustaining Excellence in the Performing Arts.Michigan Youth Performing Arts Pre-College Program.MPulse Summer Performing Arts Institutes.Stearns Collection of Musical Instruments.Pre-screening/Portfolios & Auditions/Interviews.
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